CODICEQUOTIDIANO



CODICEQUOTIDIANO is a project that explores my fear and fascination with the repetitive yet unpredictable nature of everyday life. It was inspired by Anima (2019) by Paul Thomas Anderson, where identical, anonymous clothing conveys routine and alienation. From there, I reflected on the idea of uniforms beyond their practical use, focusing on repeated behaviors and postures, as well as the discipline of ballet and the uniformity of dancers.


SKINFORM



Skinform originates from tights—an easily accessible garment that often has a very short lifespan due to its fragility. Standard tights become the starting point for six artifacts: flocked and laminated in an imprecise, instinctive way, then deconstructed, stitched back together, and transformed into digital prints. The type of embroidery recalls surgical sutures, evoking the idea of a second skin conceived as a protective shell.






Mirella Capuozzo


I was born in southern Italy and graduated in Fashion Cultures and Techniques, which led me to pursue a Master’s degree in Fashion & Textile Design at NABA in Milan. There, I developed a multidisciplinary approach, learning graphic design, draping and moulage, tailoring, pattern making, digital and textile print, photography, styling, and art direction. Living in Milan shaped my practice, encouraging me to connect my mainly influences such as 1960s Italian cinema, instrumental music, performance art, and MotoGP. For me, fashion is a way to merge these distant worlds.

Since November 2023, I have been working as a Menswear Designer at Zara in La Coruña, while also pursuing personal projects, focusing on upcycling and styling, and maintaining a curious approach to my practice.


Education
“CODICEQUOTIDIANO”  110/110 
Graduation Project in Styling, Design and Art Direction

Master’s Degree in Fashion & Textile Design
NABA - New Academy of Fine Arts, Milan. 2021-2023


“The 1960s: Fashion and Youth Subculture. The Hippy Movement and Its Influence on Mainstream Trends”
Final Reprot in Cultural Systems and Processes of Fashion

BA Degree in Fashion Cultures & Tecniques
Alma Mater Studiorum - University of Bologna 2018-2021


Employment
    Menswear Designer at ZARA MAN

    La Coruña. Spain 2023 -2026

    • Trend research and analysis
    • Developing color palettes and selection of fabrics, materials, finishes, and trims
    • Creating technical drawings and sheets (vector, freehand, and Procreate)
    • Direct coordination with suppliers, textile designers, buyers, and sustainability teams
    • Prototype development and review in collaboration with the tailoring team and pattern makers during fittings


    SkillsAdobe Suite _ Illustrator, InDesign, Photoshop
    Procreate
    CLO3D

    Freehand Drawing
    Pattern Making
    Sewing & Tailoring
    Draping & Moulage
    Textile & Digital Print
    Styling & Upcycling


    Contacts
    mirellacapuozzo@gmail.com
    @aintfound.project



    © 2026 Mirella Capuozzo All Rights Reserved




    Unlearn, Untold


    Everyhing originates from something; everything is in constant evolution. Every object holds an initial reference, and all we need to do is look around to find inspiration. Even our memory is contaminated: the mind adds, alters, and removes. But what if we could truly begin from a space free of external conditioning—what would we turn to in order to create? Our memories? And to what extent can they be considered objective, free from idealization or nostalgia? Unearn, Untold becomes a way of giving form to this void—an intersection of idealization and truth.



    1. Cuntrotra


    The term “controra” comes from the Latin contra horas, meaning “opposite hours.” It refers to the early afternoon rest during the hottest part of the day, especially in summer. It is also seen as a suspended, dreamlike moment—an almost utopian time when everything is still and one drifts into a state of quiet pause.



    2. A’ pezza a culore


    “La pezza a colori,” in Neapolitan dialect, refers to the art of solving difficult situations through improvisation and creativity. The expression has its roots in Campanian tailoring, evoking the practice of repairing worn or torn garments by layering scraps of different fabrics.

    More details soon... 



    mirellacapuozzo@gmail.com